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NEW DOBEDO PHOTOGRAPHERS SERIES TSHIRT #016 BY JUERGEN TELLER
28/05/2015
News
DoBeDo is proud to announce the launch of Tshirt #016 in the ‘DoBeDo Photographers Series Tshirt Subscription’ – “Woo!” by Juergen Teller. 
 
“Woo!” is an image taken of one of the walls of Teller’s eponymous exhibition at the ICA in 2013. A selection of his advertising, portraits, family pictures, and magazine work were wheat pasted across the walls of one of the rooms at the ICA. The images on this Tshirt are photographs taken of the walls of that room.
 
The Tshirt is available to buy here or as part of the DoBeDo Photographers Series Subscription.
THE SPRING CLEANING AT THE LAUNDROMT NEW YORK
27/05/2015
News

DoBeDo contributors Meshach Falconer-Roberts and Clare Shilland are exhibiting their work as part of “The Spring Cleaning” at ‘The Laundromt’ in New York. 

Curated by photographers Benedict Brink and Todd Jordan this is the first of three week-long group shows on display at a laundromat on Elizabeth Street over the summer.  

 

TITLE: The Spring Cleaning
DATE: 29 May 2015 for one week
LOCATION: The Laundromt, 168 Elizabeth St, New York, NY 10012

www.thespringcleaning.co

Artist’s Talk: Mark Lebon at ICA London
22/05/2015
Events

DoBeDo contributor Mark Lebon is in conversation with artist and writer Neal Brown, discussing his work and early publishing projects as a part of Room&Book Art Book Fair at ICA London.

There will also be a film screening, Q&A and affordable art sale/participatory performance piece after the talk. Click here to buy a ticket.

TITLE: Artist’s Talk: Mark Lebon
DATE: 23 May 2015, 2.30pm
LOCATION: Institute of Contemporary Arts, The Mall, London, SW1Y 5AH

NEW CONTRIBUTOR FUMIKO IMANO
11/05/2015
News

DoBeDo is very happy to announce the addition of its newest contributor Fumiko Imano.

Fumiko was born in 1974, she spent her childhood in Rio de Janeiro.

After studying fine art and fashion photography in London, she returned to Hitachi in Japan where she currently lives and works.
The core of her practice focuses on self portraiture in photography, installation and video.

Q+A:

Why are you the subject of many of your photos?

At first, it was about my possessive character. I went to study fashion photography but I couldn’t collaborate with somebody else cause I believed if I work with somebody, it is not gonna be my work. So I had to become a model, stylist, and photographer myself. And my face is only one in the world so I believed it’s going to be original work. Also, my work wasn’t recognisable photo like Araki or Juergen, so I have to stamp my face to all of my works. ;) Seeing myself as a third person became my therapy – challenging myself (I have a complex about my looks) again and again questioning “How do I look?”, and it became “What I am” by getting used to it. I still have lots complex though.

How has the popularisation of ‘Selfles’ affected your work?

Affected me a lot! It’s like all of sudden everybody in the world became my rival. scary.. friend star era, ok, myspace, fine, face book in the beginning was ok. But with arrival of iPhone! People stopped being shy! Showing everyday life thing, self portrait, was for artist in a way… but now everybody doing so I had to think about my work… boundary….

Where would you be if you could be anywhere else?

Brazil. I want to visit my childhood house in Rio. 300 Flamengo beach. and London, Paris I used to live.

How honest is your photography?

Maybe lying as I have to pose. But the moment I shot is true and I can not control everything so its honest in the end.

Please explain the titles of your pictures?

Title of my pictures are a bit like “Insect collecting”. I’m a bit like a collector. Freezing pictures is same as pinning butterflies for me.

How do your surroundings influence your work?

Influences me a lot. I think my work is always about me and surrounding.

Does being a female affect your work?

Actually, I don’t really think about me being a female as I’m a bit outside world of “Woman” in common but I have this figure as a female, and I enjoy dresses so it is affecting me for sure. I know my way of thinking and expression is very woman with emotion so it is affecting my works a lot.

Should we embrace the digital era?

Yes! we do! I was scared using digital before but once I got used to it, I’m happy seeing my work immediately, even I’m living on the hill, and I can see on the screen ptr send it to publish it. Well, a lot of people loves my film taken era as digital looks shallow, but I prefer digital now. If my neighbour was 24h lab, maybe I can go back to film. however,,,,, as I’m scared about SNS selfies, I am slowly considering taking my pictures using film. A little bit complicated in my head if I think about.